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Abstract

Jiu-jitsu came to America at the turn of the 20th century, just as the Russo-Japanese war was focusingworld interest on Japanese culture and martial training. An analysis of more than 2,400 articles andillustrations about the art from American newspapers during jiu-jitsu’s first years in the United States demonstrates the ways media framed jiu-jitsu in militaristic, political, racial, and gendered terms for an enthusiastic and curious public.

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