Participation Type

Paper

Presentation #1 Title

'You can't goddammit/ shoot a river:' Fred Chappell Takes on Champion International Paper

Presentation #1 Abstract or Summary

In this paper, I will consider various representations of what Marjorie Pryse refers to as the “consumable Appalachian identity” in select fiction and poetry of Fred Chappell, which is rooted in and around Asheville. While not commonly considered an environmental writer, Chappell’s attention to the agrarian tradition permeates these works. John Lang reminds us that Chappell “does find in farming a meaningful—though not financially rewarding—lifestyle, one that heightens recognition of humanity’s dependence on nature and that encourages both humility and a sense of stewardship” (74). I will discuss how an ecocritical reading of the Kirkman novels and select poems of Midquest helps readers imagine a resistance to this consumption of southern Appalachia. Set in the mid-twentieth century and later, Fred Chappell’s inclusion of magical realism in his works I Am One of You Forever; Look Back, All the Green Valley; and Midquest provides an imagined alternative to the devastation wrought by the fictional counterpart to Champion Paper, International. Lastly, I will discuss how Chappell’s techniques also allude to the political and activist roles of magical realism.

At-A-Glance Bio- Presenter #1

Elisabeth is an Assistant Professor of English at Saint Leo, Florida. Despite having lived in Florida for many years, her heart is in the mountains: she received her Master of Arts degree in English from Western Carolina University, and completed her PhD from Indiana University of Pennsylvania with a dissertation on the works of Ron Rash and Fred Chappell. Her research interests are historical land use in Appalachia, the scholarship of public lands, and, more recently, the Civil Rights movement in Central Florida.

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'You can't goddammit/ shoot a river:' Fred Chappell Takes on Champion International Paper

In this paper, I will consider various representations of what Marjorie Pryse refers to as the “consumable Appalachian identity” in select fiction and poetry of Fred Chappell, which is rooted in and around Asheville. While not commonly considered an environmental writer, Chappell’s attention to the agrarian tradition permeates these works. John Lang reminds us that Chappell “does find in farming a meaningful—though not financially rewarding—lifestyle, one that heightens recognition of humanity’s dependence on nature and that encourages both humility and a sense of stewardship” (74). I will discuss how an ecocritical reading of the Kirkman novels and select poems of Midquest helps readers imagine a resistance to this consumption of southern Appalachia. Set in the mid-twentieth century and later, Fred Chappell’s inclusion of magical realism in his works I Am One of You Forever; Look Back, All the Green Valley; and Midquest provides an imagined alternative to the devastation wrought by the fictional counterpart to Champion Paper, International. Lastly, I will discuss how Chappell’s techniques also allude to the political and activist roles of magical realism.